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Chua Beng-Huat. “Culture, Multiracialism, and National Identity in Singapore.” Chua Beng-Huat. “Culture, Multiracialism, and National Identity in Singapore.” In Trajectories: Inter-Asia Cultural Studies, edited by Kuan-Hsing Chen, 186–205. Culture and Communication in Asia. London: Routledge, 1998. The enforced separation of the population into bounded and homogenized races under official multiracialism has one immediate political effect. It enables the state to institute .. 공감수 0 댓글수 0 2012. 11. 14.
Asian Diasporas: New Formations, New Conceptions Parreñas, Rhacel Salazar, and Lok C. D. Siu, eds. Asian Diasporas: New Formations, New Conceptions. Stanford, Calif: Stanford University Press, 2007. Introduction: Asian Diasporas- New Conceptions, New Frameworks (1-27) By Parreñas, Rhacel Salazar, and Lok C. D. Siu We define diaspora as an ongoing and contested process of subject formation embedded in a set of cultural and social relations that.. 공감수 0 댓글수 0 2012. 11. 13.
Adopted: Crossing (out) Boundaries of Adoptee Kinship and Global Belonging Aino Rinhaug (2011) Adopted: Crossing (out) Boundaries of Adoptee Kinship and Global Belonging : 191-204 In light of how inter-country adoption has become something of a modern, global phenomenon, this study will look at how the film Adopted raises questions related to the complex issues involved in the process of transporting children across geographical, cultural, national, linguistic, and pol.. 공감수 0 댓글수 0 2012. 11. 9.
If You Were Me: Human Rights discourses and transnational crossings in South Korean omnibus films “If cinematic narrativity can be construed as a signifying process that reductively aestheticizes or essentializes the pain of others, turning the cultural and/or historical particularities of people’s experiences into a series of universalizing tropes or moments of temporary contemplation for the comparatively privileged viewer, then the omnibus film – as a gap-filled text comprised of two or m.. 공감수 0 댓글수 0 2012. 11. 6.
Unthinking Eurocentrism Many oppressed groups have used “progressive realism” to unmask and combat hegemonic representations, countering the objectifying discourses of patriarchy and colonialism with a vision of themselves and their reality “from within.” But this laudable intention is not always unproblematic. “Reality” is not self-evidently given and “truth” is not immediately “seizable” by the camera. We must distin.. 공감수 0 댓글수 0 2012. 11. 4.
Fragments of Labor: Neoliberal Attitudes and Architectures in Contemporary South Korean Cinema Park does so through sophisticated nonlinear storytelling that cultural theorist Rob Wilson perceives "is sublime in the technical sense, meaning it confronts traumatic and underrepresented materials haunting the Korean social system of capitalist global modernity." However, with an increase in personal autonomy, much civic and artistic dialogue becomes muted for the spurious, messy, and constra.. 공감수 0 댓글수 0 2012. 11. 4.
봉건적 시각 체계 The feudal scopic regime (By Paul Willemen) 봉건적 시각 체계는 권위(자)의 시선의 방식에 의해, 자신의 적법한 아이라고 인정하는 방식에서, 인식되고 정당성을 보여받는 것에 의해서, 그리고 권위자의 시각 장에 출현하는 것에 의해, 개별 주체의 사회적, 그리고 실재 존재론적 정당성과 합법성과 관계된다. 봉건적 시각 체계의 페러다임적 선언은 그래서 충성스런 관객일 것이며, 인지의 상호적 행위의 신봉자에게 헌싱성에 대한 보답을 수여하는 신성한 시선의 세속적 버전으로 사회 상태의 절정에서 종종 의도치 않게 세속적 권위와 신성한 권위를 헷갈린 누군가가 합법적 주체성을 누군가에게 부여하는 경우이다. from Japanese Cinema and Otherness (p. 41) 공감수 0 댓글수 0 2012. 4. 22.

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